I was the stereotypical teenager, filled to overflowing with angst and heartbreak and big dreams. I sat cross-legged on the porch swing, scribbling page after page on emotion heavy lines. I found neglected corners on the college campus, either propped against a regal column or letting my legs hang over a high concrete wall, pouring my heart onto paper. I would wander outdoors, often feeling like Anne Shirley reading Lady of Shalott in the woods.
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There is a box in my basement filled with notebooks of my poetry.
To be honest, most of it is not very good. It is the typical writing of a young girl who often thought she felt more than she really did.
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I have not written poetry in a very long time. Between all the daily events I call my real life and the hectic pull of everything, the lyrical view I held of the world gave way to a more cynical, logical, stressed newsprint outlook.
But there are still moments.
Evenings where the river is still and flat, belying the strong current underneath, perfectly reflecting the boat house, the bridge, and the black silhouette of naked trees. Afternoons at the park, with the wind in the pine boughs, the chains of the swings clinking. Mornings early enough that the trees are still heavy with birds, the sound of the car rousing them to form soft, flittering clouds around leafless branches. Moments of a head tucked under my arm, and soft blue eyes and the hint of dimple. Quiet at the bedside of a patient.
Then I think the poetry is still there. And it is just as beautiful and alive and heartbreaking as it was when I was a teenager. I want to write it all down, capture the moment, keep it alive with ink.
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Then the noise and chaos and schedules and menus and deadlines swell up again and push those thoughts back into hiding. Life is too busy, too real to waste writing silly words in floral covered notebooks.
But then, maybe it's just busy enough to need to.